Political thriller unfolding against the intrigues and corruption of the global oil industry. As a career CIA operative (George Clooney) begins to uncover the disturbing truth about the work he has devoted his life to, an up-and-coming oil broker (Matt Damon) faces an unimaginable family tragedy and finds redemption in his partnership with an idealistic Gulf prince (Alexander Siddig). A corporate lawyer (Jeffrey Wright) faces a moral dilemma as he finesses the questionable merger of two powerful U.S. oil companies, while across the globe, a disenfranchised Pakistani teenager (Mazhar Munir) falls prey to the recruiting efforts of a charismatic cleric. Each plays their small part in the vast and complex system that powers the industry, unaware of the explosive impact their lives will have upon the world.
Syriana is an oil-based soap opera set against the world of global oil cartels. It is to the oil industry as Traffic was to the drug trade (no surprise, since writer/director Stephen Gaghan wrote the screenplay to Traffic): a sprawling attempt to portray the vast political, business, social, and personal implications of a societal addiction, in this case, oil. A major merger between two of the worlds largest oil companies reveals ethical dilemmas for the lawyer charged with making the deal (Jeffrey Wright), and major global implications beyond the obvious; a CIA operative (George Clooney) discovers the truth about his work, and the people he works for; a young oil broker (Matt Damon) encounters personal tragedy, then partners with an idealistic Gulf prince (Alexander Siddig) attempting to build a new economy for his people, only to find hes opposed by powers far beyond his control. Meanwhile, disenfranchised Pakistani youths are lured into terrorism by a radical Islamic cleric. And thats just the start. As in Traffic, in one way or another all of the characters fates are tied to each other, whether they realize it or not, though the connections are sometimes tenuous. While Syriana is basically a good film with timely resonance, it cant quite seem to measure up to Gaghans ambitious vision and it very nearly collapses under the weight of its many storylines. Fortunately they are resolved skilfully enough to keep the film from going under in the end. To some viewers, Syriana will seem like an unfocused and over-loaded film that goes, all at once, everywhere and nowhere. Others will find it to be an important work earnestly exploring major issues. In either case, its a film that deserves to be taken seriously, and its likely to be one that will be talked about for a long time to come. --Dan Vancini
- Cat No.
- Monday 10th July 2006
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